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Book Jacket THE GIRL WITH THE GALLERY
Edith Gregor Halpert and the Making of the Modern Art Market
LINDSAY POLLOCK
SUMMARY  |  EXCERPT   |  AUTHOR'S NOTE   |  QUOTES
A Note from LINDSAY POLLOCK

Edith Halpert died the year before I was born, but I feel as if I know her better than anyone on earth. She has consumed me since 2001, when I first saw mention of her at the Jacob Lawrence retrospective at the Whitney Museum. That an unknown female art dealer had sold wrenching images of black America by an unknown black artist to major museums—this at a time when Billie Holiday was singing about "Strange Fruit"—struck me as utterly astounding.

Curious, I decided to take a look at the 200,000-page archive Edith had donated to the Archives of American Art at the Smithsonian. It was her voice—a singular, brilliant, witty voice—that got me hooked. This was the same voice Edith had used to woo thousands of collectors, curators, and artists during her decades in business. Now she was wooing me.

The optimism expressed in Edith's notes and letters contrasted with the stories I later heard in dozens of interviews with those who knew Edith towards the end of her life. She was remembered as a paranoid and an alcoholic. As she grew increasingly ill, she became confused, secretive and vengeful. Edith Halpert knew that she had led a historically important life, yet her behavior in her later years helped push her into oblivion. Now, thirty-six years after her death, I hope to finally do her life justice.

PAPERBACK
ISBN 978-1586485122
Pub date: 11/05/07
Price: $16.95/20.50 Canada
5 1/2 x 8 1/4
480 pages
8 pp. b/w photos
Carton Quantity: 20
Art, Biography
Selling Territory: W
Pub history: PublicAffairs hc

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